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Thursday, December 12, 2024

This Is Bananas! A banana duct-taped to a wall sells for $6,2m on auction

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When Maurizio Cattelan’s The Comedian (a banana duct-taped to a wall) made its debut at Art Basel Miami Beach in 2019, it peeled back layers of what we think art is—or isn’t—and got the whole world buzzing.

 

Now, it has sold on auction for a whopping $6.2 million to a cryptocurrency entrepreneur, sparking renewed questions about what art is.

 

The buyer, Justin Sun, said he would EAT the banana, just as at least two spectators have done in other galleries.

 

Some reasons why this fruity stunt became the top banana in art debates:

 

What Even Is Art These Days?

A banana taped to a wall? Really? Some called it a bold conceptual statement, others thought it was a joke. Is art about skill, deep meaning, or just… a quirky idea that makes people scratch their heads?

 

Big Bucks for a Banana

When this simple snack initially for $120,000, jaws dropped. How can something so basic cost so much? Turns out, it’s not just about the fruit—it’s about the artist’s reputation, the context, and the certificate of authenticity that makes it “art.” The new $6,2 million price is set to spark even further debate.

 

Banana Comedy Hour

Cattelan’s works are known for their humour and irony, and this was no exception. Was he trolling the art world? Maybe. Was he pointing out how ridiculous the art market can be? Probably. Either way, it had everyone in on the joke—or angrily tweeting about it.

 

Rotten Art?

The banana wasn’t meant to last—it was going to rot, and that was part of the point. Does art need to be permanent? Or is the idea behind it what matters? With The Comedian, the banana was just the star in a much bigger conversation.

 

From Wall to Meme Hall of Fame

This tape-and-fruit combo didn’t just stay on gallery walls—it went viral! Everyone from meme creators to armchair critics joined in. Suddenly, art wasn’t just for the elite; it was a global laugh fest.

 

Performance Art with a Bite

The plot thickened when performance artist David Datuna ate one of the bananas in a piece he called Hungry Artist. Did he ruin the art? Or did he become the art? Either way, it added a whole new layer of meaning (and chaos).

 

In the end, The Comedian wasn’t just a banana on a wall—it was a cultural banana split. It made us think, laugh, argue, and maybe even rethink what art can be. Was it genius or nonsense? That’s up to you, but one thing’s for sure: Cattelan gave the art world something to chew on.

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